Jose Agudo Workshop
Jose’s class is fun inclusive and has a dynamic quality. Come and join this workshop if you are Intersted in learning a style that is an interesting mix of Kathak, Flemecon and contemporary dance.
Ceyda Tanc Dance
A celebration of what it means to be female, Kizlar is an aesthetically driven exploration of femininity and masculinity, strength and vulnerability, creating a visually stunning dance work.
Splice
Splice is an exploration of connection and architecture between two bodies as they configure themselves between restriction and possibility,
Folk Remix
A fresh, quirky, colourful and magical collision of traditional and Hip Hop dance and music: high-energy, with a unique remix of Maypole, Clogging, Ceilidh, Street, House and Breakdance with a hint of African & Bollywood.
Garba Flow
Feel the pulse of tradition with Garba Flow’s exquisite medley of Garba and Gujarati Folk dance.
SE19 Dance Project
While the future is difficult to imagine, preparing for it is also vital and needed. Through this work we would like to consider what we can expect from the future on a personal level.
Grand Gesture
In 1969 a new spirit of change was dancing across the world. Grand Gesture takes a leap back into the year of liberation, rebellion and exploration that defined their generation.
Croydon Folk Ensemble
Folk dance encompasses a rich diversity of dance forms, having developed over centuries in various communities across the world. This show is a showcase of both traditional folk dance and its contemporary interpretations, presented by community groups.
Slide Dance
Crosswor(l)ds explores a quest for solutions in an ever-changing world, dealing with themes of agency and identity.
Ash Mukherjee
Vishnu’s Got My Back is part stand-up, part dance with original poetry, songs and anecdotal stories, reliving the coming of age of a femme non-binary person in post-colonial Kolkata, and then as a queer immigrant person of colour in the UK.
Shyam Dattani
Dvihīna, Sanskrit for ‘devoid of gender’. Dvihīna hopes to, through the choreography, de-gendered costume and original score, allow an appreciation of the movement itself over the body wearing the movement.